Freemasonry in Cinema
22 April 24
Illuminating the Silver Screen - By Bro Kieran J McDiarmid
Throughout the history of cinema, various ‘societies with secrets and fraternal organisations have played an intriguing role, capturing the imagination of both filmmakers and audiences alike. Among these mysterious groups, Freemasonry has been a subject of fascination, finding its way into numerous films, often shrouded in secrecy and symbolism.
From ancient rituals to supposed hidden agendas, Freemasonry has left an indelible mark on cinema, offering a captivating glimpse into our enigmatic brotherhood. Memories of the square and compasses are ingrained within the cultural memory of the uninitiated through this medium. In this article we delve into the influence of Freemasonry in cinema history, exploring its representations, themes, and the enduring allure it holds for filmmakers.
Growing up, I was always fascinated by the silver screen and as a self-proclaimed film buff, I have seen my fair share of masonic symbolism placed, covertly or overtly, within the annals of cinema’s traditional history. It is for this reason I have decided on the need for a retrospect of the history our on-screen journey has already undertaken.
As Freemasonry spread across the world, it began to find its way into various forms of art, including literature, theatre, and eventually movies. The mystique surrounding Freemasonry, with its secretive ceremonies and hidden knowledge, made it a compelling subject for filmmakers seeking to create intrigue and suspense onscreen.
One of the most fascinating aspects of Freemasonry in cinema is the incorporation of its symbols and rituals into film narratives. The Square and Compasses, the All-Seeing Eye, and other emblematic symbols associated with Freemasonry often make appearances, hinting at hidden meanings and hidden agendas within the storylines. Films like National Treasure (2004) and The Da Vinci Code (2006) prominently feature Freemasonry-related symbols and rituals as central elements of their plots, fuelling the audience’s curiosity and fascination.
Freemasonry’s association with secrecy and hidden knowledge has led to the creation of countless conspiracy theories both within and without the film industry. These theories often portray Freemasonry as an organization with hidden agendas, controlling world events from behind the scenes. Filmmakers have capitalised on these conspiracy theories, incorporating them into narratives that explore secret societies, power struggles, and global conspiracies. Movies like Eyes Wide Shut (1999) and From Hell (2001) delve into these alleged darker aspects of secret societies and their apparent influence on society. Anyone who alleges that masons run the world need only sit in on an average lodge’s management meeting in order to assuage any and all fears of our organisation’s ability to operate on a global scale. Alas, as is so often the case, reality paints a less compelling picture for audience engagement.
A personal favourite adaptation of our Order in chronicles of the film medium comes from (alleged) Bro Matt Groening in the iconic 1995 release of The Simpsons episode Homer the Great. If it were within my power to make all prospective candidates watch that episode immediately before and after the night of their initiation, I would mandate that quicker than Homer could express his dismay upon seeing the Stone of Triumph.
Freemasonry’s historical significance has also been a source of inspiration for filmmakers. Historical dramas and biopics have depicted famous Freemasons and their impact on society. Films such as The Man Who Would Be King (1975), based on Rudyard Kipling’s novella, and The Lost City of Z (2016), based on the true story of British explorer Percy Fawcett, explore the adventures and experiences of Freemasons in their respective eras. These films not only shed light on the organisation but also highlight its historical relevance.
Beyond secret societies and conspiracies, Freemasonry has been explored as a means of character development and personal growth in cinema. Films like The Master (2012) and The Ninth Gate(1999) delve into the alleged and real psychological and spiritual aspects of joining fraternities, examining the transformative effect they have on individuals. These movies explore themes of self-discovery, enlightenment, and the pursuit of hidden knowledge and truth, using Freemasonry as a vehicle to delve into the depths of human consciousness.
Occasionally the medium allows for a more in-depth observation of a mason as a person or character within a greater universe. This couldn’t be better displayed than in the sixth season of the TV adaptation of Outlander, where we see the leading male protagonist James Fraser initiated into the Craft and come to terms with what that means as a Roman Catholic in the year 1753.
From intricate rituals to mysterious symbols and historical significance, Freemasonry has provided fertile ground for filmmakers to create compelling narratives filled with intrigue,
suspense, and philosophical exploration. From the incorporation of symbolic elements to the portrayal of secret societies and the exploration of personal journeys, Freemasonry has left an indelible mark on cinema history. As the movie industry continues to evolve, it is likely that the appeal of Freemasonry will persist, enticing filmmakers and audiences with its enigmatic allure for years to come.
And for those reading this that feel so inclined, I cannot more highly recommend the honoured pastime of organising with your masonic contacts an evening of good food, great drink, better company and glorious examples of the world’s greatest actor: Nicolas Cage in the National Treasure films.
